One Foot In Hell

THE REIGNING KINGS
OF CHAOS PROUDLY
UNLEASH THE FIST POUNDING
GLORY OF THEIR THIRD L.P.

CIRITH UNGOL One Foot In Hell
This veteran metal band consistently churns out some of the heaviest hard rock heard anywhere. One Foot In Hell will continue the band domination of the South American and Central American markets as well as further establishing its North American stronghold.

One Foot in Hell is the third Cirith Ungol LP. It was produced by Brian Slagel and Cirith Ungol. It was released in August 1986 on Metal Blade Records.

I think this is their heaviest, most power metalish and most in your face of their albums. This is the last album with the “classic” line-up of Baker, Fogle, Garven and Flint. King Fowley compares this album to Motörhead‘s Orgasmatron. No bad comparation – same year and great heavy metal on both!

“Well, this is it– the album NME readers called the worst metal album in history.” writes an Amazon reviewer. Unfortunately I cannot find the source for that. If you have heard about NME with “worst metal album in history”, then please write in the comments section after this.

Produced by Brian Slagel and Cirith Ungol. Released in August 1986 on Metal Blade Records (72143).
Re-released in March 1999 on Metal Blade Records on CD (14203-2). This album was another heavy hitter,
best tracks include: “Blood & Iron”, “Chaos Descends”, “War Eternal” and “Doomed Planet”.

Cirith Ungol’s distinctive album covers were all painted by 13 time Hugo award winner Michael Whelan, whose masterpieces include Arthur C. Clake’s “2010 A space Odyssey”, and other selected works by such literary masters as H. P. Lovecraft. His other work can be seen at Michael Whelan.

– Rob

Last year you put out a deluxe reissue of Frost and Fire with a bunch of bonus material, any plans to do something similar with your other albums? –deathofthesun Dec 2022

The one album left is One Foot in Hell, unfortunately we have no source materials for that album. Unfortunately everything burned in the Universal warehouse fire and everything was lost. There are no known demo recordings for any of those songs, either. -Jarvis

None that we know of, I only have pictures from then. -Rob

The cover

The cover was painted by Michael Whelan in 1976 and is entitled Urish’s Bane.

It was used for the DAW edition of Michael Moorcock‘s book The Vanishing Tower (The Elric Saga #4). The book was published in June 1977. There are various editions of the book, and not all editions has the same cover.

See more here:

Michael Whelan

Michael Moorcock – Elric 4. The Vanishing Tower

The cover looks almost identical. But there original is from 1981 and the second is 1999. The text is red on original, and the second is red-orange text. The second CD is border. I’ll guess.

In the band’s own words

It’s a lot different from our last one obviously. Just listen to the songs. it’s so much faster, better and ballsier. I think we were before, especially on our last album… we were to… kinda eccentric. Like it was too different for people to handle. A lot of the stuff on KOTD, the songs are real good, but they were kinda arranged weird. But the new one is pretty consistent, like rockin’. Actually I prefer, myself, the really sloowww, dirge type songs. That’s what I really like. And really, that kind of stuff is technically a lot harder to do. But if you stack up One Foot In Hell to either one of our other albums, it sounds so much better. If sounds like a normal record, sound quality wise. KOTD sounded like it was coming through a tin can. It should be mandatory for Metal fans to purchase, or at least listen to One Foot In Hell and find out what “radical” really means. Shit, just look at the album cover! The music is just as wild, and that’s saying a lot!

Tim Baker, Suck City interview, 1986

It’s an excellent album although I thought the songs overall were not as strong as King of the Dead, and Flint’s bass seems to have gotten lost in the mix.

Greg Lindstrom

The problem with One Foot in Hell is that Brian Slagel who owned Metal Blade Records wanted to take a large role in the production of the album. I think this was the beginning of where the band started to lose control of our vision and it is evident in this record. There were solos left out or changed, and multi tiered vocals ala Styx “Serpent is Rising” that were removed. I also did not like the final mix. We also recorded the tracks in LA, whereas with the first two albums we recorded them across the street from our band studio, so we had less time and were in a strange location, which did not help the sound or mood. Brian to this day does not like me and I suppose his feelings toward me, which I have tried to unsuccessfully patch up over the years, was taken out on the band. This again probably was my personality, negatively affecting the bands success which I will never forgive my self for.

Robert Garven, Diabolical Conquest

You didn’t hear the solo’s of Jerry’s tat were cut on OFIH or the unbelievable four part background vocals I did on ‘Nadsokor’ that never made it to the record. I also feel that it was mixed kind of flat.

Robert Garven, Steel Conjuring, 2000

Brian was in complete control of this project and did the final mixdown.  He did a good job but he cut out allot of stuff I wanted in the final mix. There were many great guitar solos and vocal harmonies, which were deleted, which is sad.

Robert Garven, Guardians of Fate 3/02

The 17th best Metal Blade Record

One Foot In Hell has been ranked at place 17 on best Metal Blade Records albums of all time.

To commemorate the fine 30th Anniversary of metal’s most venerable and storied label, Metal Blade Records, the writers of BraveWords.com have gotten their metalheads together and come up with a list of the Top 30 coolest, most legendary, rockingest, most influential, most deserving of fame and notoriety, releases founder/CEO Brian Slagel and crew have issued since forging the fire way back in mom’s garage in 1982. As has become tradition ‘round here, we are presenting them – through January and February – in reverse order, leading eventually to the penultimate slab of iron ever to carry an esteemed Metal Blade catalogue number. 

By Greg Pratt 

Man, history has not been kind to Californian heavy metallers CIRITH UNGOL—NO ONE has been kind to Cirith Ungol—but take a listen to One Foot In Hell to get a glimpse of a truly unique band. Cool to see them place on this list at all, those histrionic vocals, the overdramatic songwriting, and general metal-’til-fucking-death being a bit too OTT for even some diehard metal types, the band toiling, toiling, toiling, silent, forgotten, back again for quick reunion, underwhelming, silent, forgotten… but for brief moments of time way back when—like during One Foot In Hell’s duration—Cirith Ungol were doing everything perfectly. 

Source: http://www.bravewords.com/news/176941

CU@FB

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Ioannis

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13 years ago

Don’t make me do this,i just picked the one i used to do the heaviest head banging when i was young…! 🙂

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